Argueably the strongest track this week on the interwebs. I digs it too so here it is folks. @Zael – Here is one more push!
Here’s his track info:
Following his recent releases with Pham, Alexander Lewis, and Oshi, Sober Rob teams up with Karra to produce a song soaked in emotion with soaring vocals, rattling bass lines, and progressive synths. ‘Moving On’ showcases Rob’s ability to balance experimentation with accessibility, and this is the defining line that continues to tie his music together: it’s beautiful and comfortable at some points, dirty and unexpected at others. He builds it up slowly before he rips it apart, like dropping a house of cards into a paper shredder. By melding these two polar opposite elements together, ‘Moving On’ embodies a sound completely unique to Sober Rob.
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Soundcloud is over and Spotify is the new playground. This track came out 5 months ago and it’s more than destined for the summer time and beyond, much further beyond. Pretty much like Matt Simmons or many of the other tracks with that beach, tropical, summer feel in mind. It has amassed over 3 Mio plays so far (!!) and is grinding out loads of plays on different college radios and on Spotify on the daily, while it’s still far from peaking! . Funny how that all changed and Spotify alone is the driving force behind this tune, w/o any promotion whatsoever. Let’s see where Spotify pushes this tune to show its dominance and make it among the first tunes to climb the ladder from within Spotify to the outside world…So now here is the first “promotional post” for Sideways which is the very first of many tunes to come by Seaside Highlife. Reminsicent of many things like Milky Chance (Songwriter), Kungs (Horn Drop), Matt Simmons (Tropical Feel) and many more along the lines. Pure summer time feel and feel good fun. Plus that funk feel gives me the goosebumps. “I see you dancing…” Have a greta summer!
Max has shown me this nice little piece of music a few days ago it’s a flip of Frank Ocean‘s ‘Solo’ by producer Louis Futon. Totally like the sample chops and the trumpet here. If you like it too, make sure to grab your Free Download right here and watch him flipping this song on his YouTube channel.
Follow Louis Futon on Facebook ::: 1st Soundcloud ::: 2nd Soundcloud ::: Spotify
Great new indie electro song by Australian trio Crooked Colours featuring vocals from Ivan Ooze. ‘I Hope You Get It’ is their second single taken from the upcoming debut LP ‘Vera’ and the whole Album is going to be released on June 23rd. For streaming/downloading the Album please go here.
Crooked Colours on Instagram ::: Soundcloud ::: Facebook
Ivan Ooze on Soundcloud ::: Instagram
Ok, we got a winner this year. Xloxlyp & Flamongo are now my favourite act (by far). Every track sounds like it’s made for the 4Chan generation. Insensitive seems like the OST of an imaginary romance between Jackie 4Chan and Brittany Venti, in a future movie about that whole Shia LaBaboon HWNDU fiasco (btw the best shit show in the world). In the age of virtue signaling, “Insensitive” is i guess how every rational person feels, when surrounded by the new Normies of our disconected society. And telling from the lyrics, they were going for that numbness surrounding people in this ADHD world of TMI, useless data, empty words that leave you triggerless. “Whiskey shots will cure it all” says it all, and is an instant winner in my book. Anyways this is the 2nd time i had a Xloxlyp track on repeat, this time while revisisting Metal Gear Solid on PS4. So if anyone can hang in my short gaming playlist with your song, especially if it’s a slow jam, w/o getting kicked out in a good 4h, while i am pulling stunts in the Afghan Desert, that is pure quality. Ps for some reason the track reminds me of Beyonce’s “Hold on” track w/o sounding pathetic, self-absorbed, self congratulatory and/or like Beyonce.
“Insensitive” should be mandatory listening when shitposting. The production is again dead on point w/o doing too much and over doing that whole future bass genre, which is just hot air anyways and sticking more to a modern slow dance style. Whoever Aria Dawn is, she does a damn fine job and the whole thing works. It’s not demanding too much, not promising anything, but again Xloxlyp and Flamongo deliver the goods.
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