Another one by my favorite fellas, TGP, and again in the unbeatable combo with Dasha Akelin. I think as stated a few times before these fellas could very well in some time, go down the Chainsmokers route. But until then it’s just about having fun and releasing good tracks and mostly, i believe, experimenting, until they have their clear signature synths and effects. They definitely need even better songwriting, especially with such a beautiful voice as Dasha’s. Until then support them on every platform, but mostly Spotify cause this is the only place where it matters atm. Heads up here is TGP with another winner!
Another big choon, The Golden Pony delivers one after the other, these guys are gonna be huge soon, but it’s built on consistency instead of just a hype that fades out. What i always liked about them is that they don’t shy away from taking on any kind of sound or any style. Meaning there are always tons of diverse people that can go for it, perfect for the eclectic but still dance oriented floor. Many floors these days are just like Zombies waiting for that drop to spaz out. TGP was never like that, even if they take a popular formula like this and last years, house chords meets chopped vocals, or use a drop they still dodge the cheesy bullet by inserting their own kind of magic, and it’s great for the real big rooms as well as the petite little dj stints. So in my book they are on the best way to becoming a proper dance taste maker. And once they have reached that international recognition, they will not only be huge, but everybody’s gonna be like “how did that happen?” – and it’s gonna be the same answer as always “through consistency and hard work!” Welcome.
Big tune alert! The Golden Pony have been frequent flyers on this blog and we appreciated many of their remixes, but this track is a universe in itself with all its many details that make up a this delicate clockwerk. Had Trust on repeat for a long, long time, and i actually enjoyed that it didn’t demand anything from me, meaning it didn’t try to hype me up or give me some kind of over exaggerated sense of deepness or sadness. So the craftmanship speaks for itself instead of trying to build on some phony emotions which songs so often do these days. Welcome aboard my Main Playlist!
Golden Pony about their track:
“This track was written on a cold and rainy November day in Brooklyn. sexedate.ch. It came out feeling a bit dark, maybe the result of the weather and feeling trapped inside, but ultimately it was written with the idea of having absolute “trust” in the person you are with.” Well i trust you guys will come up with even more golden material and i also trust this song can go places, but it’s one of those slow burners… and that is a good thing!
The ‘curly male’ duo from Brooklyn, better known as The Golden Pony, is back with another great and dancefloor ready remix. We’re really happy to share this one with all of you, as we like their style of giving songs the right amount of sweetness. This time they took Snoop’s all time classic “Drop It Like It’s Hot”.
The Story behind this Track:
The beat of this track originally came from a remix we did for Hillary Duff’s track “Sparks”. We made an instrumental version, which we have been dropping in our dj sets over the summer. One time we dropped a Snoop acapella over it and some magic happened, so we decided to make a studio version of it!
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Outstanding remix of Kygo’s ‘Nothing Left’ by emerging brooklyn duo The Golden Pony and if i would play electronic music in clubs, this would definitely be one of my songs to play at the next party. Either way, let’s take a look what they have to say about it:
“We remember seeing Kygo’s remix’s on Soundcloud a few years back and thinking that it was a fresh and interesting sound. Little did we know he would ultimately create a whole new sub genre of music, and that his signature metallic plucks are now being incorporated into a wide variety of musical styles from Trap to Pop music!
The vocal in “Nothing Left” really grabbed us as it has a soulful, almost gospel quality, which is something we gravitate towards. We sped up the vocal considerably to get it to a house music tempo (which luckily worked out), and then worked on getting some bangin’ bass and drum rhythms that will fit into our dj sets!
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