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Jean Atem & RAYVON – Spend Time

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A dancehall r&b blend with a lot of pop appeal, straight from the island of Saint Lucia, with a proper sexy Caribbean feel. No doubt when Rayvon is on the track, but still the whole flow just moves like a snake through the track, and if there is anything to critisize, it is that the track could have been produced a bit more like Drakes Controller or Hotline Bling, bc the feel is already there with the super hooky and flawless vocals. Smells like it’s remix time, but a good thing this track came out, so that we can keep an eye on Jean Atem & his buddy Rayvons future endeavours! I guess, as always, continuity is the key to success here, and let’s see what else this new impeccable duo can cook up.

Spend Time is a collaborative track between Jean Atem and his best friend and music partner RAYVON. It blends an upscale Caribbean sound with notes of pop and dance. The fusion is catchy and captivating and its mainstream presence is undeniable.

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Trust Feat. Cintia Lund by The Golden Pony

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Big tune alert! The Golden Pony have been frequent flyers on this blog and we appreciated many of their remixes, but this track is a universe in itself with all its many details that make up a this delicate clockwerk. Had Trust on repeat for a long, long time, and i actually enjoyed that it didn’t demand anything from me, meaning it didn’t try to hype me up or give me some kind of over exaggerated sense of deepness or sadness. So the craftmanship speaks for itself instead of trying to build on some phony emotions which songs so often do these days. Welcome aboard my Main Playlist!

Golden Pony about their track:

“This track was written on a cold and rainy November day in Brooklyn. sexedate.ch. It came out feeling a bit dark, maybe the result of the weather and feeling trapped inside, but ultimately it was written with the idea of having absolute “trust” in the person you are with.” Well i trust you guys will come up with even more golden material and i also trust this song can go places, but it’s one of those slow burners… and that is a good thing!

Introducing the haunting beauty of VVAVES “Fall Apart”

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Emma Sophia Rosen aka VVAVES is a 21 year old Canadian, and a self-taught singer/producer. She has been making music since she can remember; songs have always been an outlet for her to make poetry out of difficult situations. She has been developing her production skills, and through learning the technique, she is able to explore her potential and take the tools she picked up from practice and apply them to her own music.

“Fall Apart” is the first original single I’ve released. I had made only demos and covers, and with “Fall Apart”, I feel it really came from the heart and said what I wanted to say, so I wanted to make a track people could feel with me. “Fall Apart” is about the fear of letting go too much in a relationship or a situation, opening up, becoming so vulnerable that you feel like you’ve let someone in so fully that they have complete control of your happiness. The paranoia of not knowing if it’s safe to truly fall in love. At the end of the day it’s a blind faith. There’s a line from one of my first idols and longstanding inspirations Feist, another Canadian singer/songwriter, that says “..the saddest part of a broken heart, isn’t the ending so much as the start..”

This song will stick with you, simple as that. But more so the tenderness and sincerity of her voice will do so even more. I wish we could team up her songwriting skills, her beautiful fragile voice with a couple of actual producers, like wolfskind, Koni or the likes that are just out there roaming the interlands. Imagine her on a duet with Mat McHugh and you can see where this can go… One can always dream ;)

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New Kid on the Block: Vibin’ by Fluxkid

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I guess this is what the Native Tongues would sound like if they were coming out today. Doesn’t this sound just like a solid classic De La Soul track? Love it! I honestly like this instrumental track a lot and it just throws up the question why todays rappers do not jump on tracks with this kind of vibe, it would give hip hop that much deserved push and i can just hear Joes Bada$$ going off on a track like Vibin’. Fine state of the art production with a bit over the top synths, that could be a bit toned down, but with the whole percussive part to back it up, it just rolls on and on and works somehow. So we salute 20y old Fluxkid from Berlin/Warsaw, the new kid on the block and we are really curious what kind of material he will come up with next!

The press release reads like this: “Vibin’is a cross-genre mixture of influences ranging from synth-pop to hiphop and future bass. Its very rhythmic, drum-driven composition opposed to smooth, soft and melodic synths creates a dynamic combination which fits both a dance floor and a more laid back context. This contrast between mellow verses and powerful chorus gives the track an extraordinary energy that will draw you deep into its warm, summer vibe. The mix of different elements and genres sounds like Mura Masa and Flume combined into one song that every fan of electronic music has been waiting for. You can easily lose yourself to the vibe of this track!” — I fully Agree!

SPOTIFY:

LIT AF! : Tongue Tied (Ft. Bri Tolani) by The Highrollers

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Can the real squatting slavs please stand up!

Bomb track by the Highrollers feat our favourite femvox atm : Miss Bri Tolani. The song has some kind of EDM feel to it, you know like Pretty Lights, Kill Paris, Gramatik or Griz, but i think that’s just the feel of the drums, other than that the overall style is much fresher and best described as a brassy future bass tune. The rest is a hit pop song with a savage eastern european / slavic lick  that makes you want to join the squatting crew, and live every moment in track suits with an orthodox christian gold chain. Russian Hackers at work!

Very welcome tune by the Highrollers, just came out this weekend and already their most successful song! Whatever you guys are doing different now, this seems to be the way to go!

About : The Highrollers is a project started in mid 2016 by Adam Oh (22 years old) and William Oh (15 years old). Their first release was a remix of Marshmello’s Alone which accumulated 80k plays on Soundcloud. After that release they were noticed by several taste makers and with these new links established they went on to co-release a remix of Zara Larsson and MNEK’s – Never Forget You on Chill City and reworked a cover of Radiohead’s Creep with Ember Island and co-released with Future City. Now with a few remixes under their belt, they started making more original work.

So what kind of slav are you?

Spotify:

Worldclass : Where I’m At (ft. Chloe Kissner) by Aftrparty

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Head in my hands, Heart in my mouth..

First single from ‘The Aftrparty’ EP. Available on this weeks New Music Playlist on Spotify and according to the labels track record, this epic tune will around for many months to come. Definitely one of the most interesting tracks so far in 2017, which is a great year so far, and the arrival of Aftrparty on the international scene only underlines that. The perfect betw a melodramatically charged pop tune and a subtle zeitgeisty but still synaptic processable production, upgraded by the absolutely stunning vocals of Chloe Kissner.

Or in the words of their label:

“Alternative R&B act Aftrparty – the creative outlet of producer / instrumentalists Alex and Cian – got together as teenagers at a London high school in 2016. Their first original track “Hold Me Down” quickly garnered attention online, shooting to #1 on Hype Machine and cementing the duo as accomplished mixers of electronic, trap and hip-hop influences. Sonically, Alex’s production draws on the electronic dance beats of Flume & Mura Masa, as well as dark, 808-heavy influences. Cian blends in the distorted guitar and basslines of Travis Scott with elements of Frank Ocean’s organic palette forming a final product which fuses unique electronic and recorded sounds with inspired songwriting and intense production.” Bildschirmfoto 2017-03-12 um 18.23.39

About the song:

“Where I’m At started off as a heavy EDM beat Alex made in the summer of 2016. After shelving it for a few months, the duo brought it back to life with the unmistakeable sound of Cian’s guitar and bluesy vocals from Houston-based talent Chloe Kissner. Cian reworked Chloe’s initial lyrical ideas to reflect on what he was dealing with at the time – the repetitive, unsatisfying nature of doing the same thing every week and weekend is used as a metaphor for creating a perfect illusion of a girl, overcome with unfulfilling thought patterns. The instrumental blends Alex’s love of Mura Masa- style synths and 808 drops with Cian’s incorporation of Frank Ocean- esque guitar lines and clean verses.”

Spotify