The Shadow Years

The years and the phase of ChromeMusic and YUM YUM was left deserted and abondened by Chrome. No production. No Love. No One Around.
We had to break down the Matrix somewhere else.

Teleseen – Outlines

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Feel Up Records (you know, Jillionaire’s label) always take us on a jungle, big sound clat journey. Sometimes we start with a DJ from Philly and end with a hip-hop artist from Mexico.

Today, we got to listen to “Outlines” by Teleseen, a duo from Rio de Janeiro. “Outlines” transforms us to an island off the coast of São Paulo state, complete with a soundtrack of ivory and percussion in the foreground and a Fugees like breezy Caribbean vibe in the background.

Go way back on their SoundCloud, (we are talking six years) and Teleseen has always been able to tell their cross country story through sound.

SoundCloud ::: Facebook

#ChromeSelects: Feast.

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Feast your eyes on feast. Sorry, I just had to. This three DJ team is new to the scene and about to get WAVVVY this Saturday night. Clear off your schedule and come through to the MIAO Bar, we are set to get deep.

1) What sounds has influenced Feast. thus far?

Nu-Disco, Deep-House, Tech-House, UK Garage, Indie, also some Singer/Songwriter stuff.

2) Who would you like to collaborate with?

Right now we are working with different vocalists and other musicians on new features. We started working on remixes, but we are focussing more on our own releases now.

3) How do you pick a song to remix? For instance, how did you pick “The Light?”

If it’s catchy and has a good vibe it’s always a good base to start working on it. The main reason to pick a track for us is that it inspires us, and gives us a need to have our own interpretation of it. I guess we picked Sbtrkt’s “The Light” because the original version acts like an interlude as it has no drums, but we thought that edited it has the potential to be a club track.

4) Who should we be listening to?

There are countless artists who are worth listening to, so we can’t even figure out where to start. Maybe start with some of our label and booking mates like Milky Chance, James Hersey, Lakechild, LEEX, Kafka Tamura or the wonderful new indie band Kytes. We thought about naming some records you must have, but everyone involved in Feast. has a different musical background so the decision process would end in an huge argument.

5) What are some personalities we should follow on Facebook and/or Instagram?

That’s a hard one for us. We can’t really tell you one, because we don’t really follow many people, except our friends and some artists we really like.

6) Favorite sub-genre of House?

When it comes to producing, definitely Deep-House, when we are playing a set in a club we enjoy playing more Tech-House.

7) What should we expect to hear this Saturday?

As we have the pleasure to play the whole evening, we will be able to put a lot of material in the set. You can expect some Deep-House, Tech-House, Nu-Disco and even some Soul-Edits. We are probably gonna play some unreleased stuff as well.

Soundcloud ::: Facebook 

HONOR – Never Off (PANG! Remix)

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Honor has been surrounded by music in her whole life, but it wasn’t until around 5 years ago, after a really emotional event in her life changed the way she had previously looked at the world, and so she started writing. She wrote down all of her thoughts and feelings. ‘Never Off’ is her motto to never give up, to remind everyone of us that we are all strong and beautiful in our own way. The duo Pang turned it into a super relaxed remix!

Follow HONOR on Facebook // Instagram // Twitter

Follow PANG! on Facebook // Twitter // Youtube

Drippy Dolphin – Stronger

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Drippy Dolphin, where have you been? We’ll whatever body of water he or she’s been swimming in, we are glad he (or she’s) back. Rife with gun shots, Drippy takes on “Stronger” and “Hollerback Girl,” making for an intense Jersey Club turn-up. Drippy Dolphin, part of the #FOFOFADI crew, has released 2 tracks over the past year, each screwed with it’s own 90’s pop throughout. It’s fun, it doesn’t make sense, and it’s something to get up and dance too.

Drippy says he’s back, but we’ll see…

SoundCloud ::: Facebook

ALO WALA – Vibrate To Win EP

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ALO WALA is on some next level ish. This EP, billed, as “Interplanetary,” gives us three tracks to party to, rage to, and to round it out, chill to. Reminiscent to “Dirty Vibe” by Skrillex, this mix mosh of a group featuring Punjabi-Indian rapper Shivani Ahlowalia and Danish bass producers Julius Sylvest and Copyflex, also known as the duo Copia Doble Systema (that’s a mouthful) hits with a sexy “I’m a Boss A** Bit**” vibe on “Texi Mexi.”

Round two takes reverb nation head-on with an Indian beat, making for all the workings for a dubious repeated sample not to be messed with.

If round one & two are like Goliath, then round three, “The Coconut” is like David, subtle and poised but ready to strike on an easy Sunday playlist. This track lays on the beach, where Brooklyn Shanti winds us down with relaxed vocals.

Soundcloud ::: FaceBook 

ChromeMusic & Gomma Records = MIAO Bar @ Munich | Opening This Weekend May 8th & 9th

No Dogs Allowed!

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ChromeMusic or in particular me took a sabbatical, if u can call it that… Well, anyways i was gone for a while, dug deep, and rethought what i wanted to do. Having deejayed for the longest and packed even the biggest venues and having built the YUM YUM party series straight from the gut and out of instinct everybody insisted on managing me, but never understood what this thing was/is about… so i was reevaluating the times and checking for new things until everything fell into piece… more like everything came together in peace.

We started a brand new label, which is probably one of a kind, just telling from the way it works and how beneficial it truly is for everyone involved from the artists, to the managers to the designers and programmers. Its something that i am proud of and its gonna take ages for anyone to copy that, since its pretty much dependent on insight and knowledge that is simply not out there for the grabbing… and we are just starting out. But that’s another post for another time…

Well anyways i met an old friend, we got into talking and i realized how much i missed playing in venues for the sake of it, not for the corporate aim or for the social recognition (on a self value scale it’s actually the same jerk off… He offered to open up something of an improvised, non-designed, handcrafted, non-posh, venue with me and since i am labelwise and blogwise (as u can see) heavily involved into music, artists and live acts and all that ‘shite’, it just made sense.

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SO – HERE’s the Thing:

ChromeMusic & Gomma Records go way back. In particular me & Munk. He even made me play at his earliest parties, way before the Gomma label and before i buggered off to the UK in the 90ies. And even in the fantastic cult club and best Munich club ever “Erste Liga” (ONLY THE RED ONE) we both were residents, he did his always packed Thursdays night with his melodic journeys and wide arrays of partners, while i held the Fridays spot and my mix of sonic enchantment (ha!). Both those night + the club were groundbreaking, created a before non-existing scene which still lives on in every still cool spot in town and was simply awesome! Mind you… AWESOME! So, you’re looking for the best tablet for musicians you can load up with all the music making apps you can shake a stick at? Yes, it’s possible.

Ps whatever club opened after that, it never had the same social/musical and cultural impact of that venue, it was always just feeding offa that spot. After Munk & good buddy Søren did the Ruby Bar together for a year and a half, the only other venue, to stay in recent memory, and me doing a buttload of offlocations in the previous years and thus creating half of the nowadays active array of djs in this longitude and latitude, i guess it was a no-brainer that we had to get back together! I mean literally – no brain ! We clicked as we always do  and were more or less speechless that we never even considered crossing paths.

Well we are now…

MIAO is just meant to be a nice, red-lightish pop up venue for a mere 3 months and we tend to get all our buddies down to play with us and move something. We are both happy that it turned out to be THAT venue, an old arabic cultural meeting point (always has a negative sidenote, doesnt it?), that is finally located outside of the Glockenbach Viertel, the formerly hip area of Munich. So i guess we had to move, and no part of town, says urban and mundane louder that the spot between Hauptbahnhof and Maxvorstadt. Right next to a former place called “Boobs”! See what i mean?

LIKE MIAO ON FACEBOOK

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We just turned the whole spot into a venue that our designers (not talking Photoshop, i am talking spray cans!) started calling MIAO. So the name was another no-brainer. And being a digital native myself, who in the world wants to argue against cats?

Ok, so here’s the bullet points:

  • MIAO is gonna be open on Fridays & Saturdays from 10pm-5am.
  • A nice gallery is part of the venue and Artist Martin Fengel will be hosting a new Vernissage every 2 weeks with changing exhibits and artists.
  • FRIDAYS run by the Gomma Gang and Ruby Bar residents: Munk, Manuel Kim, Max Josef, Marvin & Valentino, Moritz Butchek of two-in-a-row fame (the only other Munich blog i recognize as a blog ;) and many international friends, buddies & guests
  • SATURDAYS is run by ChromeMusic & Friends: So me, Chrome, long time partner and Dj romancier Jean-Christophe “Schowi” Ritter, FEAST (Lichtdicht Rec/Milky Chance label) and a lot of friend and buddies like local hero Sepalot, yumyum partner Max Mausser, FM4 legend Beware and many more guests & buds.
  • The venue will be run by Søren & Pino, same guys as Ruby Bar and long time partners.
  • The doormen will be an old school vamp from the days of the Erste Liga
  • A couple of great new bands are gonna play their first acoustic Live sets like the rising Lions Head, hopefully James Hersey, The Capitols and so forth… but that’s another story still tba
  • Adress: Dachauerstrasse 14 (right across Cafe Kosmos)

And if u ask us about the music policy. Well, you must be new in town….